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Fire Weather
February 12, 2025
 
As the old year ended, we celebrated part of the holiday season with close-by daughter and grandchildren and intermittently spent time online with more far-flung offspring. The new year began quietly, our Wisconsin and Florida daughters and their families settled into post-holiday employment and pre- and post-graduate schooling. Our son in California left home for a short Asian holiday, enjoyed wrestling events in Japan and wandered briefly in Taiwan. I didn't hear from them often but, as usual, I calmly checked up occasionally on whatever localities they were experiencing. It didn't take long to raise my continental anxiety level.
 
Big storms were predicted for coastal Florida—we'd experienced some in our most recent autumn visits there—and I scanned the news daily, mostly to relief. But then, barely a week into January, alarming news about fierce fires in familiar California locales sent me online several times a day to locate where they were emerging and how they were expanding. The fires were widespread, though when I found our son's neighborhood on whatever telecast maps I located, I was at least briefly reassured. I couldn't know how much he learned in Asia about the Los Angeles fires, which were still raging when he soon returned home, but he then reported that his neighborhood was safe. Until the fires were finally subdued, and rainstorms eventually reassured us of their unlikely resurgence, I still checked in daily, mostly calming whenever he told us what conditions were like nearer to him. His neighborhood avoided the most ferocious blazes of the multiple fires surrounding it, but even after he was confirmed safe, I couldn't stop thinking about them.
 
By chance, among end-of-year birthday/Christmas giftbooks, I'd received John Vaillant's recent Fire Weather: A True Story from a Hotter World. Reviewer Robert Macfarlane describes it as "a landmark in nonfiction reportage on the Anthropocene, or what Vaillant here calls 'the Petrocene'—that epoch defined primarily by humanly enhanced combustion." In a recent book of my own, I'd tried to replace the familiar term 'Holocene' with the more appropriate 'Anthropocene' but Fire Weather soon convinced me that 'Petrocene' should be the more accurate term. I quickly became deeply immersed in the book.
 
For me, Fire Weather was a long read: 359 pages of text in small print in three parts, with nearly fifty additional pages of Notes and Bibliography. The narrative's primary setting is Fort McMurray, a once thriving oil industry community in Alberta Province, due north of Montana between British Columbia and Saskatchewan, In May 2015 a tremendous fire devastated the area, sweeping over a vast portion of Alberta and some of Saskatchewan for several days. Vaillant sets up the background of the oil industry there in Part One, provides a deeply detailed account of the fires throughout Part Two, and in Part Three gives us an expansive overview of the future the oil industry and Canada's climate will have to face. I confess I was alarmed throughout the book's first two sections, continually in suspense over the fire's expanding growth and consequences, and then, in the third section, constantly distressed over implications regarding the future we all face because of the approach to climate that we've been engineering throughout the Anthropocene Epoch we're living in.
 
In the past, I suspect, most of us who decided to read about some calamity or another tended to approach the event as something occurring distantly, something one-of-a-kind, notable for its power and its scale but essentially remote from the rest of the world—from the daily living most of us experience. Vaillant acknowledges that, until recently, such stories were seen "as glimpses of a frightening and aberrant event outside normal time, in a place safely far away." He now suggests that they were—and are—"in fact . . . messages from the near future and from very close to home" and asserts that "extraordinary changes have taken place across the entire climate file": atmosphere, energy, forestry, and especially "fire itself". He reports that "a host of states and countries"—he specifically names 32 places from South Africa to North America, from Europe to Australia—where people would find themselves living in a landscape susceptible to fire. "Since 2016, even places we never considered capable of burning"—he mentions the Arctic, the Amazon, the moors of Britain, Notre-Dame Cathedral, Boulder, Colorado—have caught fire and burned.
 
Reporting on the history of the "kind of disruption" occurring "in the context of drought and rainfall," Vaillant informs us that it is "now referred to as a 'phase shift': a dramatic, effectively irreversible change in a region's climate regime. There is abundant evidence that phase shifts are now under way across much of the planet." The example of fire behavior he offers comes from California: "in the 1950s, the state's fire season lasted about four months; today, it is effectively year-round, and the acreage burned during the most severe seasons (1950 versus 2020) has increased eightfold (to say nothing of lives and property lost)." "In New Mexico," he adds, "fire weather days have increased by 120 percent since 1973." His book was published before the January 2025 fires in California.
 
The most discouraging aspect of fire's increasing presence and possibility is that, from a historical perspective, there was a time when fire at such a scale did not take place and only the intervention of human industry and the exploitation of natural resources have brought us to a time in history when reversing the climate change that we persist in keeping in motion may be impossible. Even if we stopped the relentless development of industry, we've likely gone too far to change its potential impact. The Anthropocene, the period of Earth history overwhelmed by human exploitation of natural resources, has probably actually become the Petrocene; the chemical impact on the climate everywhere has overwhelmed the period when people had charge and could have made better choices. In America, as confirmation, the current president has vowed to concentrate on industry and has thoroughly dismissed climatology.
 
Despite how troubled I am by what it portends, Fire Weather is a book everyone should read. As my grandchildren set out into the world of grownups—one will graduate from university this year, one will become a college sophomore, one become a freshman in the fall—I try not to cast my imagination too often into the future of the world they—and their children and their grandchildren—will be living in. For a while still, that's where, attentively, I'll be also be living.
 
Notes:
O'Connor, M. R., "Line of Fire," The New Yorker February 3, 2025: 12-16. An Annals of Disaster essay.
 
Vaillant, John. Fire Weather: A True Story from a Hotter World. New York: Alfred A. Knopf, 2024: 252, 354-355.
 
 
 

Once a Word Processor . . .

 

When I was a high school senior, I took the Beginning Typing course for students, mostly girls, hoping to become office workers. I hadn't done well in shop classes training mechanics but typing also counted as "occupational education." To get me enough graduation credits, counselors placed me in other courses usually taken sophomore year, including Latin I, adding to my two years of German as a foreign language concentration, and Basic Art, as well as English and History, required subjects no one could major in.

 

Every chair was filled in the typing class, every manual typewriter occupied. Another boy was in the room, a good-looking, athletic sophomore, and around twenty sophomore girls, one of them his girlfriend. Mr. Myers, our elderly instructor, instructed us about where to place our fingers, how to hold our hands, and how to concentrate on the text we were copying rather than watching the keyboard or the page being created. Surprisingly, I did well in the class.

 

I had hunted and pecked often on my mother's typewriter or my own, but Mr. Myers made a typist out of me. I adapted his methods to my portable's keyboard, worrying little about perfect accuracy and accepting the need for corrective strikeovers. In college I was more conscientious when submitting assignments to professors or columns and articles to school paper editors, retyping whole pages when errors were too troublesome. In grad school my electric typewriter with dual ribbons allowing easy error correction made me less self-conscious about my typing.

 

Then technology began to challenge my typing skills. The university department where I taught required ditto masters for course handouts, which couldn't be corrected by strikeovers and needed full replacements. Eventually we were assigned computers, Apple IIe models with floppy disk drives. Our faculty training session was in a former typing lab now filled with computers. Typewriters required pulling the carriage return lever at the end of each line to start another line one space lower; computers automatically moved on to the next line, line after line, until you needed a new indented paragraph. That took some adjustment—at least one colleague hit the return button regularly, as if on his typewriter, and hated the choppy look of his paragraphs. Somehow, eventually, the new approach made sense to me. I said out loud, "Oh, my god, I get it." My colleague glared at me.

 

That moment might have been forty years ago. If I ever think of myself as a typist, it's force of habit. I'm a word processor now, though my MacBook Pro keyboard—I think they still call them "keys"—looks much like my old Smith-Corona, except that it's flatter and smaller and has an interactive bar across the top that changes with whatever program I'm using. I often hit some unnamed key that makes a panel appear asking "What can I help you with? Go ahead, I'm listening." I stop what I'm writing to turn off the list it displays before it can talk to me. Like those unexpected ads that show up on Facebook, I don't know what the internet thinks it knows about me and what it thinks I'll fall for.

 

My fingers aren't as nimble as they once were, and the keys aren't so individual that I can get through a paragraph without error but often—not always—the word processing program will correct my spelling without my notice. Lately, it's decided where I should put commas and hyphens and highlights the locations—it wants a comma after "nimble" above. When I write email the program tries to add additional words for a cliché it's sure I intend, to make me sound more like everyone else. Now I not only have to edit myself, I have to edit the word-processing program's revisions.

 

Word processing is frequently more aggravating than typing ever was. I can't trust my fingering as much as I once did; I check my transcription more often to correct what the program won't. Many errors are those I'd never make on a typewriter—the letter "m" instead of a comma, a comma instead of a period, a sudden rush of capital letters, an unintended return command mid-sentence or even mid-word, an unintended deletion of a paragraph. Unlike my old typewriter, my laptop doesn't seem to be completely on my side.

 

This morning, in response to the clatter and thumping of the roof repair around me, I wrote a journal entry by hand. I don't journal often but when I do, I don't think I'm processing words. I think I'm . . . what would you call it? Composing? Recording? Maybe I was simply writing. Just the words and me working thoughtfully together. I was glad I took the opportunity to do it.

 

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