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Fire Weather
February 12, 2025
 
As the old year ended, we celebrated part of the holiday season with close-by daughter and grandchildren and intermittently spent time online with more far-flung offspring. The new year began quietly, our Wisconsin and Florida daughters and their families settled into post-holiday employment and pre- and post-graduate schooling. Our son in California left home for a short Asian holiday, enjoyed wrestling events in Japan and wandered briefly in Taiwan. I didn't hear from them often but, as usual, I calmly checked up occasionally on whatever localities they were experiencing. It didn't take long to raise my continental anxiety level.
 
Big storms were predicted for coastal Florida—we'd experienced some in our most recent autumn visits there—and I scanned the news daily, mostly to relief. But then, barely a week into January, alarming news about fierce fires in familiar California locales sent me online several times a day to locate where they were emerging and how they were expanding. The fires were widespread, though when I found our son's neighborhood on whatever telecast maps I located, I was at least briefly reassured. I couldn't know how much he learned in Asia about the Los Angeles fires, which were still raging when he soon returned home, but he then reported that his neighborhood was safe. Until the fires were finally subdued, and rainstorms eventually reassured us of their unlikely resurgence, I still checked in daily, mostly calming whenever he told us what conditions were like nearer to him. His neighborhood avoided the most ferocious blazes of the multiple fires surrounding it, but even after he was confirmed safe, I couldn't stop thinking about them.
 
By chance, among end-of-year birthday/Christmas giftbooks, I'd received John Vaillant's recent Fire Weather: A True Story from a Hotter World. Reviewer Robert Macfarlane describes it as "a landmark in nonfiction reportage on the Anthropocene, or what Vaillant here calls 'the Petrocene'—that epoch defined primarily by humanly enhanced combustion." In a recent book of my own, I'd tried to replace the familiar term 'Holocene' with the more appropriate 'Anthropocene' but Fire Weather soon convinced me that 'Petrocene' should be the more accurate term. I quickly became deeply immersed in the book.
 
For me, Fire Weather was a long read: 359 pages of text in small print in three parts, with nearly fifty additional pages of Notes and Bibliography. The narrative's primary setting is Fort McMurray, a once thriving oil industry community in Alberta Province, due north of Montana between British Columbia and Saskatchewan, In May 2015 a tremendous fire devastated the area, sweeping over a vast portion of Alberta and some of Saskatchewan for several days. Vaillant sets up the background of the oil industry there in Part One, provides a deeply detailed account of the fires throughout Part Two, and in Part Three gives us an expansive overview of the future the oil industry and Canada's climate will have to face. I confess I was alarmed throughout the book's first two sections, continually in suspense over the fire's expanding growth and consequences, and then, in the third section, constantly distressed over implications regarding the future we all face because of the approach to climate that we've been engineering throughout the Anthropocene Epoch we're living in.
 
In the past, I suspect, most of us who decided to read about some calamity or another tended to approach the event as something occurring distantly, something one-of-a-kind, notable for its power and its scale but essentially remote from the rest of the world—from the daily living most of us experience. Vaillant acknowledges that, until recently, such stories were seen "as glimpses of a frightening and aberrant event outside normal time, in a place safely far away." He now suggests that they were—and are—"in fact . . . messages from the near future and from very close to home" and asserts that "extraordinary changes have taken place across the entire climate file": atmosphere, energy, forestry, and especially "fire itself". He reports that "a host of states and countries"—he specifically names 32 places from South Africa to North America, from Europe to Australia—where people would find themselves living in a landscape susceptible to fire. "Since 2016, even places we never considered capable of burning"—he mentions the Arctic, the Amazon, the moors of Britain, Notre-Dame Cathedral, Boulder, Colorado—have caught fire and burned.
 
Reporting on the history of the "kind of disruption" occurring "in the context of drought and rainfall," Vaillant informs us that it is "now referred to as a 'phase shift': a dramatic, effectively irreversible change in a region's climate regime. There is abundant evidence that phase shifts are now under way across much of the planet." The example of fire behavior he offers comes from California: "in the 1950s, the state's fire season lasted about four months; today, it is effectively year-round, and the acreage burned during the most severe seasons (1950 versus 2020) has increased eightfold (to say nothing of lives and property lost)." "In New Mexico," he adds, "fire weather days have increased by 120 percent since 1973." His book was published before the January 2025 fires in California.
 
The most discouraging aspect of fire's increasing presence and possibility is that, from a historical perspective, there was a time when fire at such a scale did not take place and only the intervention of human industry and the exploitation of natural resources have brought us to a time in history when reversing the climate change that we persist in keeping in motion may be impossible. Even if we stopped the relentless development of industry, we've likely gone too far to change its potential impact. The Anthropocene, the period of Earth history overwhelmed by human exploitation of natural resources, has probably actually become the Petrocene; the chemical impact on the climate everywhere has overwhelmed the period when people had charge and could have made better choices. In America, as confirmation, the current president has vowed to concentrate on industry and has thoroughly dismissed climatology.
 
Despite how troubled I am by what it portends, Fire Weather is a book everyone should read. As my grandchildren set out into the world of grownups—one will graduate from university this year, one will become a college sophomore, one become a freshman in the fall—I try not to cast my imagination too often into the future of the world they—and their children and their grandchildren—will be living in. For a while still, that's where, attentively, I'll be also be living.
 
Notes:
O'Connor, M. R., "Line of Fire," The New Yorker February 3, 2025: 12-16. An Annals of Disaster essay.
 
Vaillant, John. Fire Weather: A True Story from a Hotter World. New York: Alfred A. Knopf, 2024: 252, 354-355.
 
 
 

Grave Mysteries

 

The typescript of my unfinished mystery novel, The Graves of Academe, runs 154 double-spaced pages and 16 short chapters typed on the back of pale dittoed handouts or photocopies of pages from my dissertation—if I reverse the pages, I can read discontinuous excerpts from "The Problematics of Marriage: English Comedy 1688-1710." The mystery's opening three chapters in first person are revised by hand to third; the prologue and 13 more chapters, written years later, are in third person. Eight more chapters were tentatively planned.

 

I vaguely recall starting it in 1976 on highways between Iowa and Michigan. Unemployed after my post-doctoral year, Central Michigan University had turned me down for a composition position, but then abruptly hired me when a senior professor died unexpectedly and I was the only rejectee who could teach his popular course, the Bible as Literature. Thus was my career launched. Driving interstates alone, talking out loud to stay awake, I started to generate a first-person narrative about a recent midwestern-PhD hired precipitously at a Great Lakes university where the death of a senior faculty member—a murder—would require him to teach the victim's Shakespeare class.

 

I wrote those first three chapters but then the demands of preparing new classes and seeking academic standing through conference papers and creating a scholarly book from a dissertation chapter made me set it aside. It wasn't until years later, again making solitary cross-country road trips, that I remembered generating scenes aloud and thought of completing the mystery. Changes in my life over six years altered the manuscript's outlook. Chapters 4 through 16 would now be in third person and take a different perspective. While John Rice, the mystery's protagonist, and I had both left midwestern grad schools for Great Lakes universities, both expecting to move on after three years so our schools could avoid giving us tenure, I at least would receive tenure and stay there a total of 28 years. I had been divorced and lived alone for a few years until eventually marrying again; Rice's bachelor relationships with women had become more complicated and I imagined him taking a trilogy of murder mysteries to work everything out.

 

Recently I read The Graves of Academe typescript again, expecting to clean up typos and copy the text onto the computer, but by the time I reached the end, I felt no impulse to complete its narrative. Much of what's there no doubt displays aspects of who I was when I started it, and especially when I tried to continue it, but I don't identify with John Rice as I once did. My relationship to the plot line and the characters changed and I couldn't imagine reviving commitment.

 

As it turns out, I'd forgotten also later completing a different detective story. "Cruel as the Grave" was submitted to Alfred Hitchcock's Mystery Magazine and very quickly rejected. It's a straight-forward detective story, 49 typescript pages long, in which Lt. Will Dryden investigates and solves the case handily and is spurred by the background of the murder to recognize a need for romance in his own life. Its dialogue and plot conform to the conventions of mysteries I'd read and television episodes I'd viewed and drew on elements of investigation and police procedure I'd witnessed often in programs we'd watched. Except for some of the detective's angst about his earlier divorce, I don't sense much of a personal investment from me in the narrative. That is, it is very much different from The Graves of Academe where I can zero in on the background inspiration for certain characters and situations. Probably the Hitchcock magazine found it formulaic, maybe even predictable. I didn't pursue publication for it after that rejection.

 

What I realize now is how much writing of various kinds I was doing when I flirted with mystery writing. I'd spent a year as a singer-songwriter, been writing around 35 short essays for local public radio annually, and published my first academic book. In addition to a second marriage and a new household and an expanding academic career, enough was happening to make inventing mysteries an unnecessary distraction. I had sound professional reasons for turning to scholarly writing and considerable pleasure in all that other writing—perhaps my critical and creative needs were well satisfied when I stopped writing fiction.

 

That may be what I've learned revisiting the fiction I wrote in the past. The stories that seem to work best are those where some part of me inhabits the central character, where the narrative grows out of issues that nag at me, where the storytelling at least provides some tentative resolution that partly satisfies me, whether it satisfies the character who grew out of me or not. I gain more by writing essays and memoirs.

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