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Fire Weather
February 12, 2025
 
As the old year ended, we celebrated part of the holiday season with close-by daughter and grandchildren and intermittently spent time online with more far-flung offspring. The new year began quietly, our Wisconsin and Florida daughters and their families settled into post-holiday employment and pre- and post-graduate schooling. Our son in California left home for a short Asian holiday, enjoyed wrestling events in Japan and wandered briefly in Taiwan. I didn't hear from them often but, as usual, I calmly checked up occasionally on whatever localities they were experiencing. It didn't take long to raise my continental anxiety level.
 
Big storms were predicted for coastal Florida—we'd experienced some in our most recent autumn visits there—and I scanned the news daily, mostly to relief. But then, barely a week into January, alarming news about fierce fires in familiar California locales sent me online several times a day to locate where they were emerging and how they were expanding. The fires were widespread, though when I found our son's neighborhood on whatever telecast maps I located, I was at least briefly reassured. I couldn't know how much he learned in Asia about the Los Angeles fires, which were still raging when he soon returned home, but he then reported that his neighborhood was safe. Until the fires were finally subdued, and rainstorms eventually reassured us of their unlikely resurgence, I still checked in daily, mostly calming whenever he told us what conditions were like nearer to him. His neighborhood avoided the most ferocious blazes of the multiple fires surrounding it, but even after he was confirmed safe, I couldn't stop thinking about them.
 
By chance, among end-of-year birthday/Christmas giftbooks, I'd received John Vaillant's recent Fire Weather: A True Story from a Hotter World. Reviewer Robert Macfarlane describes it as "a landmark in nonfiction reportage on the Anthropocene, or what Vaillant here calls 'the Petrocene'—that epoch defined primarily by humanly enhanced combustion." In a recent book of my own, I'd tried to replace the familiar term 'Holocene' with the more appropriate 'Anthropocene' but Fire Weather soon convinced me that 'Petrocene' should be the more accurate term. I quickly became deeply immersed in the book.
 
For me, Fire Weather was a long read: 359 pages of text in small print in three parts, with nearly fifty additional pages of Notes and Bibliography. The narrative's primary setting is Fort McMurray, a once thriving oil industry community in Alberta Province, due north of Montana between British Columbia and Saskatchewan, In May 2015 a tremendous fire devastated the area, sweeping over a vast portion of Alberta and some of Saskatchewan for several days. Vaillant sets up the background of the oil industry there in Part One, provides a deeply detailed account of the fires throughout Part Two, and in Part Three gives us an expansive overview of the future the oil industry and Canada's climate will have to face. I confess I was alarmed throughout the book's first two sections, continually in suspense over the fire's expanding growth and consequences, and then, in the third section, constantly distressed over implications regarding the future we all face because of the approach to climate that we've been engineering throughout the Anthropocene Epoch we're living in.
 
In the past, I suspect, most of us who decided to read about some calamity or another tended to approach the event as something occurring distantly, something one-of-a-kind, notable for its power and its scale but essentially remote from the rest of the world—from the daily living most of us experience. Vaillant acknowledges that, until recently, such stories were seen "as glimpses of a frightening and aberrant event outside normal time, in a place safely far away." He now suggests that they were—and are—"in fact . . . messages from the near future and from very close to home" and asserts that "extraordinary changes have taken place across the entire climate file": atmosphere, energy, forestry, and especially "fire itself". He reports that "a host of states and countries"—he specifically names 32 places from South Africa to North America, from Europe to Australia—where people would find themselves living in a landscape susceptible to fire. "Since 2016, even places we never considered capable of burning"—he mentions the Arctic, the Amazon, the moors of Britain, Notre-Dame Cathedral, Boulder, Colorado—have caught fire and burned.
 
Reporting on the history of the "kind of disruption" occurring "in the context of drought and rainfall," Vaillant informs us that it is "now referred to as a 'phase shift': a dramatic, effectively irreversible change in a region's climate regime. There is abundant evidence that phase shifts are now under way across much of the planet." The example of fire behavior he offers comes from California: "in the 1950s, the state's fire season lasted about four months; today, it is effectively year-round, and the acreage burned during the most severe seasons (1950 versus 2020) has increased eightfold (to say nothing of lives and property lost)." "In New Mexico," he adds, "fire weather days have increased by 120 percent since 1973." His book was published before the January 2025 fires in California.
 
The most discouraging aspect of fire's increasing presence and possibility is that, from a historical perspective, there was a time when fire at such a scale did not take place and only the intervention of human industry and the exploitation of natural resources have brought us to a time in history when reversing the climate change that we persist in keeping in motion may be impossible. Even if we stopped the relentless development of industry, we've likely gone too far to change its potential impact. The Anthropocene, the period of Earth history overwhelmed by human exploitation of natural resources, has probably actually become the Petrocene; the chemical impact on the climate everywhere has overwhelmed the period when people had charge and could have made better choices. In America, as confirmation, the current president has vowed to concentrate on industry and has thoroughly dismissed climatology.
 
Despite how troubled I am by what it portends, Fire Weather is a book everyone should read. As my grandchildren set out into the world of grownups—one will graduate from university this year, one will become a college sophomore, one become a freshman in the fall—I try not to cast my imagination too often into the future of the world they—and their children and their grandchildren—will be living in. For a while still, that's where, attentively, I'll be also be living.
 
Notes:
O'Connor, M. R., "Line of Fire," The New Yorker February 3, 2025: 12-16. An Annals of Disaster essay.
 
Vaillant, John. Fire Weather: A True Story from a Hotter World. New York: Alfred A. Knopf, 2024: 252, 354-355.
 
 
 

Aftershocks

 

In June 2019, when Michelle Tom, an Australian memoirist, emailed me to ask about an article of mine, "Beyond Linearity: Writing the Segmented Essay," I was both delighted and surprised. It had appeared in the journal Writing on the Edge and was twenty years old. I attached longer articles I'd published later on that non-linear theme to an online response I soon sent her. As I drafted it, I realized how much that article had set in motion a chain of articles and essays in my writing over the years, and I thought about the influences and motivations behind past writing decisions, the way one thing led to another. Michelle soon replied, explaining who else she'd read "to teach myself how to write in fragments/vignettes."

 

Over a year-and-a-half later she sent me her published book. Ten Thousand Aftershocks blends events in two narrative strands, one recounting a chaotic childhood and its impact on family relationships, the other recording recurring episodes leading up to a devastating earthquake and its aftermath in Christchurch, on New Zealand's southern island. The persistent aftershocks eventually impelled her to move with her husband and children away from family in New Zealand, where her brother and father are buried, across the Tasman Sea to eastern Australia to start life anew in Melbourne. She would return only intermittently when further family losses occurred. She draws parallels between her growing estrangement from her self-absorbed mother and seeking a more stable environment in another country.

 

The book opens with an introductory section titled "Aftershock" which presents two dictionary definitions of the term: "1: an aftereffect of a distressing or traumatic event," and "2: a minor shock following the main shock of an earthquake." A sentence dated July 2013 follows and declares: "We buried Meredith between two fault lines, and I wondered if she would ever rest in peace." Meredith was her sister. At once we are aware of the autobiographical dimension of the memoir and its metaphorical resonances.

 

Five narrative sections of the book following that opening are introduced by short passages describing progressive stages of an earthquake. Stage One informs us ominously, "Long before violence is unleashed, an earthquake initiates in secret. [. . .] immense seismic pressure accumulates in rocks for decades or even millennia, its latent potential for catastrophe unseen, and inevitable." It implicitly foreshadows traumatic moments not only in geology but also in family history. The chapters of each section all begin with dates that the events narrated took place and move back and forth in time, not following strict chronology yet establishing a developmental movement suggestive of those stages of an earthquake.

 

As in life, her memoir narrative concentrates attention on tensions and interactions among members of the family with only occasional but increasingly frequent reminders of the tensions rumbling below the surface of their island. Tremors and troubles occur throughout subsequent stages until, at Stage Four, the 6.3 earthquake occurs: "Rocks weakened by continued pressure and an influx of water no longer resist the strain from the fault, and a rupture occurs. An aggregation of elastic tension is finally released, and that energy, forced out through the landscape in seismic waves, results in violent shaking." Several chapters dated 22 February 2011 record the family's experience of the earthquake and let us live with them through the terror and persistent danger as they try to adjust to an unstable house and an altered landscape:

 

"Greg and I dived for the doorframe between the dining and living rooms, but Jack was thrown from his stool to the floor and froze in shock, on his knees. [. . .] The familiar sound of the earth wrenching itself back and forth gained volume beneath us, and every timber in the house screeched. Glass shattered, and I knew it was the sound of bottles crashing out of cabinets into a porcelain basin in the bathroom [. . .] The house bounced as if being catapulted off an enormous trampoline during a simultaneous and dynamic tug of war."

 

"Unpredictable by nature," she reports of the final stage, "aftershocks can be notable for their size and prevalence." They can "bring down already weakened structures." Aftershocks from the traumatic family life she and her siblings led include her sister's death from Melanoma, her brother's suicide, her father's death, and her never-to-be-resolved distance from her mother.

 

The aftereffects of what happens to us in our lives aren't always immediately obvious; we don't get over grief or terror once our situations have changed and we likely don't dwell on moments of accomplishment or triumph very long either. Daily living camouflages portents and foreshadowings as we move on, but the past will resonate within us much longer than we might consciously be aware. Ten Thousand Aftershocks is an observant reminder of that.

 

 

Note: Michelle Tom. Ten Thousand Aftershocks. Sydney, Australia: Fourth Estate, 2021.

 

Robert Root. "Collage, Montage, Mosaic, Vignette, Episode, Segment", The Nonfictionist's Guide: On Reading and Writing Creative Nonfiction. New York: Rowman & Littlefield, 2008: 65-84.

 

Robert Root. "This Is What the Spaces Say", The Nonfictionist's Guide: On Reading and Writing Creative Nonfiction. New York: Rowman & Littlefield, 2008: 85-94.

 

 

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